Minimonsta has another trick up its sleeve. It doesn’t try to be anything else and is remarkably good at what it does. The interface is clear and simple to navigate with all the expected controls available to mouse, touch or automation. The result is a virtual Minimoog with a signature tone and an uncommonly rich character. The modeling is then refined through multiple stages of listening and adjustment. It uses the low-level modular DSP framework of the Native Instruments Reaktor virtual synthesis engine, employing Zero-Delay Feedback to eliminate sample delay normally produced when digitally modeling analog circuits. The Minimoog hardware was studied in meticulous detail and recreated using cutting-edge DSP technology. Everything about it is designed to give a bold, fat, single note tone. With Monark, they’ve stuck true to the monophonic nature of the original. Without official Moog recognition, most other developers have to drop to those clichéd superlatives of “legendary” and “classic.” For Monark, Native Instruments go for “King Analog.” Their intention is to capture every nuance in spectacular detail because this is the holy grail of analog modeling. Format: VST, AAX, AU, NKS and standalone.But it has been around a while, which makes you wonder what other Developers could bring to the party with more recent products.
MONARK SYNTH FULL
It now comes with 450 specially crafted presets and full automation over every parameter. The Mini V is on version 3 and has continued to develop and improve.
It is sacrilegious to do this to a classic monosynth but we all like more stuff. That includes 3 VCOs with 5 waveforms, the legendary 24 dB/octave filter, 2 envelopes, an FLO with 7 waveforms, a noise generator, a VCA, and a mixer with an external input.īecause it seems no Developer can leave well alone, Arturia added a bunch of stuff: a modulation matrix with up to 8 connections, an arpeggiator, a vocal filter with its own LFO, unison mode, chorus and delay, soft clipping and 32 voices of polyphony. They then spend a lot of time comparing the emulation with the original hardware and work out ways to reproduce the behavior.Īll the original features, controls, and characteristics are present, even down to a photo-realistic interface. The Mini V is modeled using a combination of mathematical models, physical models, and simulations of the circuitry. The Mini V came out a couple of years later and really stunned people with its authenticity. They developed TAE (or True Analog Emulation), which is the technology by which they model analog circuitry in order to capture every nuance of this sound.
MONARK SYNTH SOFTWARE
It was this partnership in 2003 that really launched Arturia into the software emulation game, resulting originally in the Modular V, an emulation of the Moog 3C and Moog 55 modular system. Arturia’s Mini V is remarkable in being the only software emulation officially endorsed by Bob Moog.
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